He's a loutish ball of lust who's willing to abandon his high-strung kids to chase after two French teenagers in crotch-high shorts.
But if Disney is fascism incarnate - a lazy conflation of evils that does Moore no credit - Jim and his family are still unpleasant rubes. Moore sets the Felliniesque tone quite cleverly, and what happens to Jim is, here and there, ghoulishly funny, albeit in a smugly ill-natured way. Nubile teenagers become leering, teasing sirens scientists are exposed as raving madmen. Animals become grinning gargoyles, princesses morph into witches, and on-site nurses into full-on Ratcheds. As Escape from Tomorrow is a guerrilla film, I was both surprised and pleased to find that aspect suitably underplayed.
Isabelle (Annet Mahendru, left) and Sophie (Danielle Safady) are the young Frenchwomen who thoroughly distract Jim from his wife and children.Ī fanboy's homage to surrealist cinema, Escape From Tomorrow misses no opportunity to make phallic symbols soar.
#Escape from tomorrow movie
And anyway, if you asked a random sample of Disney World visitors if they understood they were being taken for more than one kind of ride, they'd say: Duh, we're having a blast anyway. Escape From Tomorrow Photos View All Photos (26) Movie Info Weird sights and events threaten a man's (Roy Abramsohn) sanity during a family trip to a big theme park. Clearly, first-time director Randy Moore hasn't been hanging with the pop culture critics. But as an expose of Disney's manufactured happiness, and by extension the sins of corporate capitalism, it's pretty stale news. Advertisement Roy Abramsohn stars as Jim, the beleaguered husband of Emily ( Elena Schuber) and father to two small children, Sara ( Katelynn Rodriguez) and Eliot ( Jack Dalton ). True, Escape From Tomorrow, a handsomely mounted gallery of Mouse House cuteness inverted into grotesquerie, looks a sight more artful than do most home movies. 'Escape from Tomorrow' is an act of cultural vandalism, the feature film equivalent of drawing genitals on cute storybook animals. is not in itself proof of cinematic daring, let alone quality. But honestly, how hard can it be to shoot a low-budget black-and-white indie under the noses of security when every Joe Blow in the theme park is busy taking selfies with the nanocameras of today? And let's be frank: Ticking off the legal eagles at The Walt Disney Co. With: Roy Abramsohn, Elena Schuber, Katelynn RodriguezĮscape From Tomorrow, a dystopian fantasy about a laid-off worker on the lam at Disney World, comes bloated with marketing bluster: The movie, as its PR people have been trumpeting for months, was shot guerrilla-style at Disney parks in Anaheim and Orlando.Ĭhunks of the movie were indeed shot in both those palaces of pleasure, and without permission.
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